Lot 132

WILHELM PACHT (Danish 1843-1912)

Seascape

Oil on canvas

Signed and dated ’09 lower left

14.5 inches x 20.5 inches

Estimate $300-$400

Lot 103

GEORG FRIEDRICH PAPPERITZ (German 1846-1918)

A Young Beauty

Oil on canvas

Signed lower right “G. Papperitz”

24 inches x 20 inches

Estimate $2,000-$4,000

Lot 180

GEORGE WALLER PARKER (American 1888-1957)

Fall Landscape

Oil on canvas

Signed and dated lower right “GPARKER – 18”

28 inches x 22 inches

Estimate $600-$800

Lot 203

Attributed to AMMI PHILLIPS (American 1787-1865)

Woman Holding Red Book and Wearing a Floral Shawl, possibly Mrs. Engelta Vroman

Oil on canvas

Unsigned

30 inches x 24 inches

Estimate $3,000-$5,000

Lot 620

PIERCE (American 20^th century)

Probably Lucy V. Pierce (1887-1974)

Dorthea, 1940

Etching

Signed in pencil lower right and dated in the plate

12.75 inches x 9.75 inches

Estimate $50-$75

Lot 310

GIOVANNI BATTISTA PIRANESI (Italian 1720-1778)

The Arch of Beneventum

Etching

18.3 inches x 28 inches (46.5 cm x 71 cm)

Engraved lower right “C. Piranesi fece” and lower right “94”, upper right “778” (in the plate), and “26” upper right margin.

Estimate $400-$600

Lot 146

CANDIDO PORTINARI (Brazilian 1903-1962)

Woman in Red

Gouache on board

Signed lower right

8 inches x 6 inches

Estimate $2,000-$3,000

Lot 550

LOUIS PRANG (American 1824-1909)

The Battle of Kenesaw Mountain

Chromo lithograph

Titled lower left in plate, lower central margin printed “Copyright 1887 by L. Prang & Co Boston” and lower right margin printed “American Lithograph Co.”

15 inches x 21.5 inches (image size)

Unframed

Estimate $200-$300

Overall very good condition, full margins, no tears or creases, strong colors.

Lot 551

LOUIS PRANG (American 1824-1909)

THURE DE THULSTRUP (1848-1930)

Sheridan’s Ride

Chromo lithograph

Titled lower left in plates and signed “Thulstrup” lower central margin printed “Copyright 1887 by L. Prang & Co. Boston” and lower right margin printed “American Lithograph Co.”

15 inches x 21.5 inches (image size)

Unframed

Estimate $200-$300

Overall very good condition, full margins, no tears or creases, strong colors.

Lot 552

LOUIS PRANG (American 1824-1909)

Antietam

Chromo lithograph

Titled lower left in plate, lower central margin printed “Copyright 1887 by L. Prang & Co. Boston” and lower right margin printed “American Lithograph Co.”

15 inches x 21.5 inches (image size)

Unframed

Estimate $200-$300

Overall very good condition, full margins, no tears or creases, strong colors.

Lot 553

LOUIS PRANG (American 1824-1909)

Battle of Spottsylvania

Chromo lithograph

Titled lower left in plate, lower central margin printed “Copyright 1887 by L. Prang & Co. Boston” and lower right margin printed “American Lithograph Co.”

15 inches x 21.5 inches (image size)

Unframed

Estimate $200-$300

Overall very good condition, full margins, no tears or creases, strong colors.

Lot 359

DON PRECHTEL (American b.1937)

Cattle Round Up

Oil on board

Signed lower left

24 inches x 24 inches

Estimate $2,000-$3,000

Lot 590

GEORGE PRICE (American 20th century)

Country Landscape

Oil on board

Signed lower left

23 inches x 18 inches

Estimate $150-$200

Lot 538

COLLE RADWITZ (European 20th century)

Berbers of North Africa, 1931

Oil on canvas

Signed lower right and dated 1931

21.5 inches x 29 inches (unframed)

Estimate $300-$500

Lot 354

SHERMAN H. RAVESON

(American 1907-1974)

A Close Race

Oil on canvas board

Signed lower right

22 inches x 20 inches

Estimate $500-$750

Sherman Raveson studied at Cumberland University in Tennessee and the Art Student League, New York. He was a stage designer for a number of Broadway productions. He was also contributing author to Literary America and was art editor of Vanity Fair from 1929-1934 and art director of Life magazine in 1935, Esquire in 1936 and the firm Pettingell & Fenton, Inc. from 1937-1941. He won awards from the Art Directors Club of New York in 1934 and 1939. His works have been exhibited at the National Advertising Awards, Chicago Galleries Association, Pennsylvania Academy of Fine Arts, National Academy of Design, American Watercolor Society, the 1939 New York World’s Fair and many others.

Lot 164

CARL WENDELL RAWSON (American 1884-1970)

Poplars by the Lake

Oil on canvas

Signed lower right

32 inches x 25 inches

Estimate $1,800-$2,200

Lot 631

After REMBRANDT (Dutch 1606-1669)

Windmill

Etching, a late state, (19th c.)

Signed lower right in plate.

8 inches x 5.75 inches (image size)

Estimate $25-$50

Lot 130

After GUIDO RENI (Italian 1575-1642)

Aurora

Oil on canvas

34 inches x16 inches

Estimate $1,000-$1,500

Lot 120

VICTOR LUCIEN RICHARD (French b.1848)

Woman Crocheting

Oil on canvas

Signed lower left “Victor Richard”

15.25 inches x 18.25 inches

Estimate $600-$900

Lot 148

DURANDO TOGO RICHARD (Argentinean b.1910)

The Fruit Market, circa 1955

Oil on canvas board

Signed lower right “D.T. Richard”

36 inches x 25 inches

Estimate $500-$750

Lot 172

CHARLES HENRY RICHERT (American 1880-1974)

Fall Landscape

Oil on canvas

Signed lower right “C.H. Richert”

17 inches x 22 inches

Estimate $600-$900

Lot 308

LÉOPOLD-LOUIS ROBERT (Swiss 1794-1835)

Wedding Dance

Pen, ink and pencil on paper

Signed lower right

8.25 inches x 11.5 inches (image size)

Estimate $500-$800

Lot 611

HENRY ROBERT ROBERTSON (British 1839-1921)

Portrait of John Henry Cardinal Newman, circa 1883

Etching

Signed in pencil lower left and in the plate

12 inches x 9.5 inches

Estimate $50-$100

Lot 534

HARRY W. ROBINSON (Scottish 19th/20th century)

Seascape with Ship

Oil on canvas

Signed lower right “Harry W. Robinson”

18 inches x 24 inches

Estimate $300-$500

Lot 105

WILLIAM ROGGE (German 1829-1908)

An Unexpected Guest

Oil on canvas

Signed lower left "W. Rogge"

24 inches x 16 inches

Estimate $1,500-$2,000

Lot 309

THOMAS ROWLANDSON (British 1756-1827)

At the Barbers

Watercolor and ink on paper

Signed lower left “T. Rowlandson”

Image size 9.25 inches x 5.75 inches

Estimate $2,000-$4,000

Lot 519

HARRY RUBENS (American 20th century)

WPA Industrial Riverscape

Oil on canvas

Signed lower right

33 inches x 27 inches

Estimate $250-$400

Lot 295

After SIR PETER PAUL RUBENS (1577-1640)

Self Portrait, 19^th century

Oil on board

Contained in an elaborately carved and gilded frame.

Overall height including frame 18.75 inches

Estimate $1,000-$1,500

Lot 137

RUSSIAN SCHOOL (circa 1910)

A Costume Study

Watercolor on paper

Signed lower right in Cyrillic “A. B*******”

8.5 inches x 11 inches

Estimate $400-$600

Lot 188

Studio of ALBERT PINKAM RYDER (American 1847-1917)

Woman and Child

Oil on canvas

Unsigned

10 inches x 8 inches

Estimate $1,500-$2,500

Lot 627

After AUGUSTIN DE SAINT-AUBIN (French 1736-1807)

La Corde (Jumping Rope)

A hand colored engraving.

8.75 inches x 7 inches

Estimate $75-$150

Lot 566

KIYOSHI SAITO (Japanese 1907-1992)

A Yellow Butterfly

Woodblock print

Signed lower left

10.25 inches x 15 inches (image size)

Estimate $800-$1,200

Lot 173

HERBERT SARTELLE (American 1885-1955)

Mountain Landscape

Oil on canvas

Signed lower right

16 inches x 20 inches

Estimate $1,000-$1,500

Lot 170

HERBERT SARTELLE (American 1885-1955)

Spring in the Valley

Oil on canvas

Signed lower right

20 inches x 16 inches

Estimate $1,000-$1,500

Lot 168

AUGUSTA CHRISTINE FELLS SAVAGE (American 1892-1962)

Gamin- probably after 1940

Polychromed cast plaster

Impressed molded vertical signature on verso “SAVAGE”

Height 9.25 inches

Estimate $2,000-$3,000

Savage is perhaps one of the most influential artist and teachers of the Harlem Renaissance. Her journey, like so many African American artists was fraught with hardship and rejection. Her artistic skill combined with her iron will enabled her to eventually study in Paris. Upon her return she opened a studio and later became the first director of WPA-funded Harlem Community Art Center, which played a critical role in developing many young black artists such as William Artis, Jacob Lawrence and Norman Lewis. No one is quite sure just how much of Savages work has survived. For economic reasons most of her work was cast in plaster, which does not always endure the rigors of time as do more traditional materials such as bronze. Some have even speculated that towards the end of her life she herself destroyed many reaming examples of her works. Furthermore, there is at present scant information regarding her exact production methods or quantities. Additionally it is known that a various times during (and most likely soon after) her life additional casts of certain subject were produced therefore making it more difficult to accurately ascribe dates to surviving examples of her work.

Lot 199

CHRISTIAN VON SCHNEIDAU (American 1893-1976)

Portrait of a Woman, supposedly Mrs. Bell Fulton-Butts, granddaughter of steamboat inventory, Robert Fulton.

Oil on canvas

Signed lower left and dated 1921

26 inches x 30 inches

Estimate $500-$750

Lot 192

HEINRICH AUGUSTA SCHWABE (German/American 1843-1916)

The Violinist, 1902

Oil on canvas

Signed lower left and dated 1902

19 inches x 25 inches (unframed)

Estimate $1,000-$2,000

Lot 513

THOMAS O. SHECKELL (American 20^th century)

Summer Landscape Along Stream, circa 1940’s

Oil on canvas board

Signed lower right “Thos O. Sheckell”

16 inches x 20 inches

Estimate $250-$500

Lot 630

After MILLARD SHEETS (American 1907-1989) A lithograph on board depicting a desert scene with church. 22 inches x 30 inches.

Estimate $25-$50