|
Photo Links |
LOT
Number |
DESCRIPTION
with Estimate |
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314 |
A BRONZE
FIGURE: The Apostle Saint Peter, after the 14th century work by
Arnolfo di Cambio presently on display in Saint Peters Basiclica,
Rome. The offered lot would appear to be an 18th century copy. Overall
dark brown rich patina. Height 19".
Estimate $1,000-$2,000 |
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185 |
AN
EXCEPTIONAL CARVED MARBLE FIGURE of the Madonna and Child with
Lilies, 19th/20th century. Probably an Italian sculptor working in
America. Carved in full round with deep folds and fine detail
throughout. Height 60" (5 feet).
Estimate $4,000-$6,000 |
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188 |
A LOVELY
CARVED MARBLE GARDEN STATUE of Saint Therese of Liseaux, circa
1925. Fully carved in the round with flowing robes and good detail,
she holds the crucifix and a bundle of roses. Height 61.5".
Estimate $4,000-$6,000 |
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186 |
A LARGE AND
IMPRESSIVE CARVED MARBLE STATUE of the Sacred Heart, 19th/20th
century. Carved fully in the round with deep folds and flowing hair.
Height 60" (5 feet).
Estimate $4,000-$6,000 |
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401 |
JACQUES
ABEILLE (French b. 1906) "Still Life" (Eggs, one in cup) oil on
canvas. Signed lower right "J. Abeille". 9.5"x6.25".
Estimate $200-$300
Provenance: Directly from the Artist. |
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399 |
JACQUES
ABEILLE (French b. 1906) "Still Life" (Bread, Cheese, Eggs and
Pitcher) oil on canvas. Signed lower right and dated "50". 21.5"x15"
Estimate $400-$600
Provenance: Directly from the Artist. |
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403 |
JACQUES
ABEILLE (French b. 1906) "Still Life" (Fruit) oil on canvas.
Signed lower left. 18"x15"
Estimate $500-$750
Provenance: Directly from the Artist. |
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192 |
CAMILLE
ALAPHILLPPE (French b.1874) "Nude Dancer" circa 1928. Bronze with
dark brown patina. Signed "C. Alaphillppe" and with founder mark "A.
Valsuani" within a diamond. Height 16" (40.5 cm).
Estimate $1,500-$2,500 |
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366 |
MARY ALLEN
(American 1888-1974) "Floral Still Life" oil on board. Signed lower
right. 9"x12"
Estimate $250-$350 |
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44 |
AMERICAN
SCHOOL (Circa 1925) "Garden of Paradise" incised gessoed panel
with polychrome and gilding. Apparently unsigned. 21"x29".
Estimate $300-$500 |
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361 |
AMERICAN
SCHOOL (19th Century) "Fruit Still Life" oil on canvas. Signed
indistinctly and dated "1900" lower right. 18"x26".
Estimate $500-$700 |
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94 |
AMERICAN
SCHOOL (19th century) "Botanical Study" oil on canvas. Signed
indistinguishably lower right. 16"x12".
Estimate $600-$900 |
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104 |
AMERICAN
SCHOOL (circa 1900) "Cape Cod Landscape with House" oil on canvas
board. Apparently unsigned. 16"x12".
Estimate $200-$300 |
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377 |
AMERICAN
SCHOOL (19th century) "Seascape at Dusk" oil on canvas. Apparently
unsigned. 22"x10.5".
Estimate $150-$250 |
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372 |
AMERICAN
SCHOOL (20th century) "Cotton Pickers" oil on panel.
Indistinguishably signed lower right "A. T*****". 16"x11".
Estimate $300-$500 |
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90 |
AMERICAN
SCHOOL (19th century) "Portrait of Dorothea Hoff of Manheim, PA"
oil on canvas. Signed lower right "W.D.W.". 12"x10".
Estimate $1,000-$3,000 |
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91 |
EMIL ARMIN
(American 1883-1971) "Still Life of Flowers" oil on canvas. Signed and
dated "1927" lower right. 20"x16".
Estimate $500-$700
Exhibited: Art Institute of Chicago 1930. |
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54 |
LEON BAKST
(Russian 1866-1924) "Costume Design" pencil, gold and silver paint on
paper. Signed lower right "Bakst" and dated 1922. 17.5"x11.5".
Estimate $3,000-$5,000
Provenance: From the art collection of the Mrs. Caroina Mandel Estate. |
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360 |
FRANCESCO
BARBAZZA (Italian 18th century) "A View of the Vatican Library"
circa 1767. Hand colored engraving after the painting by Francesco
Pannini (1745-1812). Image size 27"x16".
Estimate $150-$300 |
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400 |
DUILIO
BARNABE (Italian 1914-1961) "Barques sur Plage" oil on canvas.
Signed lower right "Barnabe". 21.5"x15".
Estimate $500-$750
Provenance: Galerie Viscounti, Paris. February 1960. |
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207 |
ERNEST LOUIS
BARRIAS (French 1841-1905) "Jeanne D'Arc" bronze with rich brown
patina. Signed "E. Barrias" Susse F. ed. With dedicatory inscription
reading "You have me in chains but you will never enchain the fortune
of France." Height 12.5" (32 cm).
Estimate $1,250-$1,750 |
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189 |
ANTOINE
LOUIS BARYE (French 1796-1875) "Lion Qui Marche" (A Walking Lion)
bronze with dark brown patina with touches of green. Signed "Barye"
and inscribed "F. Barbedienne Foundeur". 9"x15.5" (23 cm x 39.5 cm).
Estimate $2,000-$3,000 |
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356 |
ANTOINE
LOUIS BARYE (French 1796-1875) "A Seated Fawn" bronze with dark
brown patina. Signed "Barye". Width 4.25" (10.5 cm).
Estimate
$200-$300 |
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106 |
BERTHA
BENNETT (American 1883-1957) "Texas Landscape" oil on canvas
mounted on board. Signed lower left. 6.75"x9"
Estimate $350-$450 |
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72 |
LOUIS BETTS
(American 1873-1961) "Indians on the Plains" oil on canvas. Signed
lower left "Louis Betts Age 17" and dated 1891. 20"x30".
Estimate $4,000-$5,000 |
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368 |
ALMA HIRSIG
BLISS (American b.1875) "Country Cottage" oil on canvas. Signed
lower right and dated 1941. 11"x11".
Estimate $200-$300 |
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21 |
Attributed to
EDWIN H. BODDINGTON JR. (British 1836-1905) "Shepards in a
Landscape at Dusk" oil on canvas, laid on board. Unsigned. 17.75"x24.5".
Estimate $750-$1,000 |
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364 |
MOTVEI
BOGOSLAV (Slavic 19th/20th century) "Canal Scene" oil on board.
Signed lower left. 19.5"x15.5".
Estimate $200-$250 |
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23 |
After SANDRO
BOTTICELLI (Italian 1444-1510) "The Calumny of Apelles" circa
1900. Oil on cradled wood panel. 30"x24". Contained in a custom
Florentine frame.
Estimate $1,000-$1,500
The offered lot repeats the composition held by the Uffizi Gallery,
Florence, Italy. |
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211 |
EUTROPE
BOURET (French 1833-1906) "Joan of Arc" bronze with reddish brown
patina. Signed on base "Bouret". Height 17" (43 cm).
Estimate $1,250-$1,500 |
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05 |
ALFRED DE
BREANSKI SR. (British 1852-1928) "Highland Landscape with Cattle"
oil on canvas. Signed lower left "Alfred de Breanski". 30"x50".
Estimate $35,000-$45,000
Provenance:
The Cooling Galleries, London*.
* According to the label on verso. |
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09 |
ROBERT
BRIDGEHOUSE (British 19th century) "Coastal Landscape" oil on
canvas. Signed lower left and dated 1871. 13.75"x10".
Estimate $1,500-$2,500 |
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40 |
BRITISH
SCHOOL (19th century) "Country Home with Figures" oil on canvas.
Apparently unsigned. 15"x12".
Estimate $150-$250 |
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55 |
BRITISH
SCHOOL (18th century) "Portrait of a Woman" oil on canvas.
Apparently unsigned. 26"x30".
Estimate $800-$1,200
|
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11 |
Attributed to
PIERRE AUGUSTE BRUNET-HOUARD (French 1829-1922) "Embarking on a
Crusade" oil on canvas. Signed lower right "Brunet-Houard" and dated
1914. 27.5"x63". Unframed.
Estimate $2,000-$3,000 |
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80 |
EDWIN J.
BRUNS
(American
b.1899) "Fall Landscape with Farm"
Oil on artist
board. Signed lower right "Demonstration Sketch Edwin J. Bruns".
14"x18".
Estimate $300-$500
Bruns studied at the AIC and exhibited
throughout the Midwest between 1930-1955. He was close friends with
Grant Wood and was the Director of Art for the Cedar Rapids, Iowa
Public Schools. |
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88 |
EDWIN J.
BRUNS
(American b.1899)
"Road to the
Cove - Gaspe Penninsula"
circa 1955 Oil on canvas. Signed lower right and verso inscribed with
title and date. 9"x12".
Estimate $200-$300
|
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381 |
EDWIN J.
BRUNS
(American b.1899) "Monkey Business
Oil" on artist
board. Signed lower right and with artist label on verso. 24"x12".
Estimate $100-$200
|
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412 |
BERNARD
BUFFET (French 1928-1999) "Still Life with Flowers" color
lithograph on paper. Signed lower right in pencil by artist. Edition
168/180. Sheet Size 26"x19.75".
Estimate $400-$600
Provenance: Gallery Romanet, Paris. |
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405 |
JEAN PIERRE
CAPRON (French b. 1921) "Quiet Harbor" oil on canvas. Signed lower
right. 28.75"x23.5".
Estimate $200-$300
Provenance: Directly from the Artist. |
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404 |
JEAN PIERRE
CAPRON (French b. 1921) "Church" oil on canvas. Signed lower right
and dated "57". 21.5"x18"
Estimate $250-$350
Provenance: Purchased from the artist June 28, 1957. |
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390 |
ANDRE
AUGUSTE CHARIGNY (French 1902-2000) "Still Life with Fruits" oil
on board. Signed upper right "Charigny" and verso with artist label.
13.5"x10.5".
Estimate $400-$600
Provenance: Purchased from the Societe des Artistes Francais May 11,
1966. |
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391 |
ANDRE
AUGUSTE CHARIGNY (French 1902-2000) "Autumn Village Landscape" oil
on canvsa. Signed lower right, verso with artist label and inscribed
with title. 24"x19.75".
Estimate $400-$600
Provenance: Purchased from Societe des Artistes Francais June 25,
1955. |
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53 |
GASTON DE
CIRMEUSE (French 1886-1963) "A Sleepy Eyed Beauty" oil on canvas.
Signed upper right. 11"x14".
Estimate $1,000-$1,500 |
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95 |
ELIOT CANDEE
CLARK (American 1883-1980) "Winter Farmyard" oil on canvas. Signed
lower right "Eliot Clark NA". 20"x27".
Estimate $800-$1,200
|
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392 |
PIERRE DE
CLAUSADE (French 1910-1976) "Coastal Scene" oil on canvas. Signed
lower right. 20"x23.5".
Estimate $300-$500 |
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98 |
WILLIAM
CLUSMANN (American 1859-1927) "Twilight Landscape" oil on canvas.
Signed lower right. 15"x20".
Estimate $750-$900 |
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65 |
MARVIN CONE (American 1891-1961) “Old Stone Quarry” 1933-34, oil on artist board. Signed lower right. 15”x18”.
Estimate $30,000-$35,000
Provenance:
Marvin Cone
To Mrs. Beth Miller, circa 1936 The offered lot
is related to a number of similar works that Cone executed between
1933 and 1936. It would seem likely that the offered lot was executed
around the same time as Cones paintings titled Washing Out-Stone City,
circa 1933 (catalog #282) Old Quarry, circa 1933-34 (catalog #292),
and River Bend (catalog #308). Furthermore it would seem possible that
this painting was done in the field while Cone was an instructor at
Stone City Art Colony.
Founded with a Carnegie Foundation grant, and under the leadership of
the Cedar Rapids Artists Association director Edward B. Rowan, Stone
City Art Colony was the Midwest’s answer to the various east coast and
west coast artist colonies that became popular at the first part of
the 20th century. Outdoor summer teaching was the cornerstone of the
short-lived artist colony. It was there that Cone applied his craft in
the traditional academic method as instructor painting landscapes for
the benefit of his students who were then expected to paint the same
setting.
As is illustrated in the offered lot, Cone was without question a
master of subtleness in his unique depiction of Midwest landscapes. In
an interview for the Coe College Cosmos in the early 1930’s Cone said:
“Art is one’s reaction to his surroundings. It may be only a new light
thrown upon something that before seemed insignificant. In a landscape
it may be only a new slant upon a familiar scene…” Indeed it is was
Cones “slant” on depicting landscapes that more than anything else,
brought him a degree of financial success as an artist. |
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66 |
MARVIN CONE
(American 1891-1964) "Plant with Woman" oil on canvas.
17"x13".
Estimate $18,000-$25,000
Provenance:
Marvin Cone
To Gordon Fennell
To a private Midwest collector
Plant with Woman is a good example of Cones penchant for
still life paintings, which he clearly mastered. His attention to
detail particularly in composition and balance are clearly illustrated
in the offered lot. The tall and slender slightly curving plant form
is echoed in the female nude painting in the background, which rests
against the wall of Cones cramped studio. In an interview given in the
early 1930’s Cone said of still lifes, “There are many advantages in
the study of still life…The charm of still life lies in the greater
chance of expression. Still life offers to the painter a greater
choice in color, background, perspective, and light…The life blood of
art lies in the fact that no two people react to their surroundings in
the same way…Art is not didactic, moral or religious; its chief
mission is to give enjoyment and to enhance the value and appreciation
of life.”
A copy of a letter from the artist’s wife discussing this work and
other works accompanies the lot. |
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67 |
MARVIN CONE
(American 1891-1964) "Plant and Apples" oil on artist
board. Signed lower right "MARVIN CONE". 18"x15".
Estimate $18,000-$25,000
Provenance:
Private Collection, Arizona
Exhibited:
It would seem likely that the offered lot is indeed the painting
exhibited under the title “Plant and Apples” at the Chicago
Galleries Association, Chicago Illinois, December 8-31, 1933.
Literature:
Joseph S. Czestochowski, “Marvin D. Cone Art as Self Portrait” Cedar
Rapids, Iowa 1889, cat. No. 257, page 185.
The offered lot is related to a number of still life’s executed by
Cone in the years 1932-33. It is also very similar in composition and
subject to Cones painting entitled, Plant and Fruit, which depicts the
same tabletop, chair, tablecloth, and plant (see Joseph S.
Czestochwski, Marvin D. Cone and Grant Wood: An American Tradition,
page 62, cat. #61). |
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30 |
CONTINENTAL
SCHOOL (18th century) probably Austrian or German. "The Immaculate
Conception" oil on canvas. 50.5"x36".
Estimate $1,000-$1,500 |
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358 |
CONTINENTAL
SCHOOL (19th century) "The Removal From The Cross". Oil on canvas.
Apparently unsigned. 29.5"x22".
Estimate $300-$500 |
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298 |
CONTINENTAL
SCHOOL (19th century). A complete set of Stations of the Cross. 14
individually painted images representing each station. Oil on canvas.
14.5"x19". Each painting in very good condition, unframed.
One illustrated.
Estimate $1,000-$1,500 |
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63 |
CONTINENTAL
SCHOOL (19th century) "A Pair of Jewish Philosophers in Thought" oil on canvas.
Unsigned. 14.5"x18.75".
Estimate $400-$600 |
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363 |
CONTINENTAL
SCHOOL
(19th century) "The Holy Family and The Infant John the
Baptist" Oil on
canvas. Indistinguishably signed lower right and dated 1837.
22"x14.5".
Estimate $200-$300
|
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32 |
After
CORREGGIO (Italian 1495-1534) "Madonna Adoring the Infant Christ"
oil on canvas. Contained in a carved and gilded wood Florentine frame.
16"x20".
Estimate $800-$1,200 |
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103 |
BEATRICE
CRAIGER (American 1891-1946) "Floral Still Life" oil on canvas.
Signed lower right. 21"x24"
Estimate $450-$650 |
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378 |
WOODY W.
CRUMBO (American 1912-1989) A pair of "Leaping Blue Doe"
and
"Blue Doe and Fawn", serigraph on paper.
Both signed lower right "Crumbo".
24"x21" and 20.5"x25.5"
Estimate $300-$600 |
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57 |
CUZCO SCHOOL
(20th century) "The Adoration of the Shepherds - Nativity" oil on canvas. Contained in a carved and
gilded wood frame. 16"x14".
Estimate
$1,000-$1,500 |
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35 |
CUZCO SCHOOL
(20th century) "The Nativity" oil on canvas. Contained in a carved and
gilded wood frame. 16"x14".
Estimate
Estimate
$800-$1,200 |
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59 |
CUZCO SCHOOL
(20th century) "Saint Joseph and the Infant Christ Child" oil on
canvas. Contained in a carved and gilded wood frame. 16"x20.5".
Estimate
Estimate
$600-$900 |
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60 |
CUZCO SCHOOL
(20th century) "The Madonna and Child" oil on canvas. Contained in a
gilded and carved wood frame. 16"x20".
Estimate
$500-$800 |
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36 |
CUZCO SCHOOL
(20th century) "Saint Paul" oil on canvas. Contained in an carved and
gilded wood frame. 12.5"x16.5".
Estimate
$600-$900 |
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61 |
CUZCO SCHOOL
(20th century) "An Archangel" oil on canvas.
12"x16".
Estimate $200-$300 |
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415 |
SALVADOR DALI (Spanish 1904-1989) "Ophelia's Tomb",
color print with gold dust on paper. Signed in pencil lower right and
lower left numbered 57/165. Lower left corner of sheet with Dali
embossment. Image size 38cm x 28.5cm, sheet size 56cm x 40cm.
Estimate $500-$750 |
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07 |
ELIN
DANIELSON-GAMBOGI (Finish 1861-1919) "The Red Gate" oil on canvas.
Signed lower right "Elin Danielson-Gambogi". Verso of canvas inscribed
"No. 3". 16"x24".
Estimate $7,500-$10,000 |
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406 |
GEORGES
DAYEZ (French 1907-1992) "Etretat" oil on canvas. Signed lower
left and dated "57". 22"x15".
Estimate $400-$600
Provenance: Purchased from the artist, Paris. |
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195 |
DELAVIGNE
(French 19th century) "Cupid" carved white marble. Signed on base in
script "Delavigne". Height 28.5" (72.5 cm).
Estimate $2,500-$3,500 |
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75 |
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