Helleu,
Paul - César (French 1859-1927)
"Portrait of James McNeill Whistler
(Study)"
pencil on paper, signed lower right.
20" x 15"
circa 1897.
Estimate.........
$15,000-$20,000.
Provenance:
Mortimer Menpes
Collection whose mark appears on verso, Frederick
Keppel Co. New York to a Midwest Collection.
It
would seem that this is the original pencil study
from which the dry point etching by Helleu of
Whistler was made. While Whistler was posing in
the Studio of the artist Boldini for the oil
portrait which now hangs in the Brooklyn Musuem,
Helleu visited the studio and executed the offered
lot. Paul César Helleu was a popular and
fashionable portraitist of the time, and a friend
of both Whistler and Boldini. It is known that he
executed at least two bust-length dry points of
Whistler during Boldinis painting session. An
impression of Helleus portrait of Whistler
exists with the inscribed dale 12 mai, 1897,
giving a good indication of when the drawing was
executed. For Helleus dry point modeled after
this image see: (Smithsonian Press, In Pursuit of
the Butterfly Portraits of James McNeill
Whistler, page 142, figure 5:20).
*Mortimer
L. Menpes (British 1859-1938) was studying with
Sir Edward John Poynter (1836-1919) at the South
Kensington School where he met Whistler at the
Fine Arts Society Galleries during the winter of
1880-1881. Menpes instantly idolized Whistler, who
was working on the printing of the first Venetian
plates at that time: From that hour, I was
almost a slave in his service, ready and only too
anxious to help, no matter in how small a way. I
took off my coat there and then, and began to
grind up ink for the Master Menpes was among
the first of Whistlers followers in London in
the decade following his return from Venice.
Menpes became his pupil and worked with Whistler
for most of the 1880s, often accompanying him
around London and on other travels. So taken was
Menpes by Whistler that he wrote the book
"Whistler As I Knew Him," The MacMillan
Co., 1904.